2025 May Edition
Lynn Klemmer
She graduated at the National College of Art and Design in Dublin with a BA in Fine Art & Visual Culture (2017) and at the University of Potsdam with an MA in European Media Studies (2023).
Her practice works at the crossroads of analog and digital media, seeking to reconsider the place of the human in a rapidly evolving algorithmic, urban and natural landscape. By merging various visual elements, from natural imagery to digital symbols, advertisements and desolate urban structures, her films and installations suggest dissonant atmospheres and form hybrid audiovisual realities.
She is also a co-founder of @mnemozine.lu , a Luxembourgish interdisciplinary research andart collective which manifests itself as a platform for experiments in philosophy, sociology and contemporary art practice. As co-director of @six___minutes , she is currently hosting a new virtual research and studio program.
"quiet is the loudest...
...is an upcoming immersive film installation combining experimental video, sculptural electronics, textile craft, spatial sound, and interactive disruptions. It explores our psychological and sensory relationships with obsolete technology and informational noise, inviting viewers into a space of unsettling silence. " Lynn
More about Lynn's project
" Set in post-apocalyptic landscapes, the short videos unfold amid quiet ruins of the psyche and digital culture—repurposed tech, disused interfaces, fragile memories—where soft and hard textures form tense, speculative spaces. The film follows a fictional figure in a VHS-knitted robe, embodying themes of entanglement, fractured identity, and storytelling as a tool for reimagining the future.
Accompanied by a spatial soundscape and staged “disconnects” (4G jammers, silence), the installation invites viewers to slow down, inhabit poetic stillness, and reflect on the emotional residue of hyperconnection.
Inspired by Donna Haraway’s speculative fabulation and ideas of neuroplasticity and care, the project creates a space of gentle disorientation and reconfiguration—a media archaeology of what remains after the signal fades.
To bring this work to life, I seek collaboration with cultural institutions and interdisciplinary partners to develop the film’s conceptual and visual layers. As part of this, I intend to apply for the Œuvre Nationale’s stARTup fund to support the project’s initial phase and help establish a sustainable framework for its realization.” says Lynn.
